Omnipresence: Mar in Colombia I

from $450.00

Exploring the interdependence between our physical bodies moving in space in a temporal moment. This piece is an exploration of a model over time in timed figure drawing sessions. Frenetically free styling without a predetermined destination in mind, layers of real time and past time presence of the figures in space interact with each other. ‘Mar in Colombia I’ is a part of the series, “Omnipresence,” playing with the temporality of being, growing, and becoming the layered versions that interact with ourselves and with others.

Mar @mar_artmodel is a self portrait model based in Colombia, that Sarah has been drawing since 2021.

Editions of 10 11”x 14” and 20” x 24”

Archival digital ink on agave

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Exploring the interdependence between our physical bodies moving in space in a temporal moment. This piece is an exploration of a model over time in timed figure drawing sessions. Frenetically free styling without a predetermined destination in mind, layers of real time and past time presence of the figures in space interact with each other. ‘Mar in Colombia I’ is a part of the series, “Omnipresence,” playing with the temporality of being, growing, and becoming the layered versions that interact with ourselves and with others.

Mar @mar_artmodel is a self portrait model based in Colombia, that Sarah has been drawing since 2021.

Editions of 10 11”x 14” and 20” x 24”

Archival digital ink on agave

Exploring the interdependence between our physical bodies moving in space in a temporal moment. This piece is an exploration of a model over time in timed figure drawing sessions. Frenetically free styling without a predetermined destination in mind, layers of real time and past time presence of the figures in space interact with each other. ‘Mar in Colombia I’ is a part of the series, “Omnipresence,” playing with the temporality of being, growing, and becoming the layered versions that interact with ourselves and with others.

Mar @mar_artmodel is a self portrait model based in Colombia, that Sarah has been drawing since 2021.

Editions of 10 11”x 14” and 20” x 24”

Archival digital ink on agave